Studio Drummer – Chart Reading Installment 3.. More info!

*IF YOU’RE A CHART READER THEN READ ON…*

 

If you have experience reading music from a drum set perspective you will know the challenges it represents.  We can of course count ourselves lucky that we’re not piano players reading 2 staves of music simultaneously or 3 staves if you’re an organist!  I honestly don’t know how they process that much information!

 

However there are challenges that pertain to our instrument that are unique to drum kit playing.

 

The biggest one is that we play an intensely physical instrument, the most intense of instruments in this physical capacity.  Reading a chart while playing with the utmost physicality is a highly challenging skill!

 

And of course sometimes you hit the ditch so to speak.  This is inevitable for even the best of the best.  Another issue that other musicians don’t have to deal with is that we have to set up our charts either set up 90 degrees left or 90 degrees right. 

 

The music is never directly in front of us. It has to be set up on the left or right.  I personally set up on either side depending on where the MD is.  That way I have a direct sight line to the musical director for cues etc by looking just above my music stand.

 

Add the often immense physicality to this mix and you can guess what happens very quickly.

 

*IT’S EXTREMELY EASY TO GET LOST ON A CHART.*

 

 A lot of players need to look exactly where they are playing as they go around the kit doing fills or locating cymbals and when that is the case the problem only intensifies since that player is required to disconnect from the chart to perform what he must be able to see in his execution.

 

As a side note to this point you may want to get in the habit, as I have for years, of not having to look at the physical instruments.  My setup is exactly the same every time I set up.  I use the same kit and I know exactly where everything is situated.  I don’t have to look at it.  This greatly alleviates this whole problem.

 

There are very valuable tricks that I use that I’ve incorporated myself.  I’ve not heard of other drummers using these helpful tricks although I know that every experienced player has their own way of dealing with these types of issues.  Anyway I’m happy to pass them along to you!

 

watch for installment 4!  Good info!

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Chart Reading (continued)

*YOU NEED TO BRING YOUR SKILLS IN THE AREA ALONG WITH YOUR PLAYING AND ARTISTIC VOCABULARY.*

 

For example I’ve been on large sessions where there have been charts for a piece of music that are literally 8 to 10 pages long.  I’ve had microphone boom stands surrounding me with charts taped end to end encircling me entirely.

 

But since I’ve worked on the skill of reading I have the ability to pull it off but I’ll be honest, it can push you to the very edge of your abilities.

 

Long charts are most often the result of a producer or writer printing out a piece of music notation that is meant to encompass a number of different instruments.  So the chart is double staved or sometimes triple staved.  To the new comer this means that you’re reading one line and then jumping down either 2 or 3 lines to read the next of your designated stave.

 

You don’t want to be asleep in this situation.

 

I don’t have the space here to go into a reading lesson.  There are many materials that are well written and make good sense to the new person if you happen to be one.  You can step through the process of reading and start to incorporate it into your playing.

 

The incorporation of reading into your playing quite frankly takes a lot of getting used to.

 

*AT THIS POINT IF YOU’RE NEW TO CHART READING…

 

I would encourage you to move on from this chapter BUT… please go out and get yourself as much good source material as you can find on the subject.  This is just a discipline that can be learned.


Look for a teacher who can speed up the process for you.  Then return to this chapter and continue..

 

Join me for the next installment!

 

 

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Reading Charts

READING

 

Being able to read music in a drummer’s world, also commonly known as lead sheets or chord charts is a vital part of being a successful and busy studio drummer. 

 This is often a thorny issue for drummers and one that they would like to circumvent but I urge you not to try to maneuver your way around it.

 Instead go through it!

 One of the best descriptions of chart reading is one that is common in the musical community.  And I like it.

 *READING IS NOT A TALENT, IT’S A SKILL!*

That’s right!  Reading is really all about practice.  It doesn’t reside on the same plain or side of the brain as being a player and an artist.  As an artist there is a point where you either have the goods or you don’t.  It IS a talent whereas reading is a skill.

 The more you work at this skill the better and better you’re going to get it. 

 *BUT IT’S A SKILL THAT’S AN ABSOLUTE REQUIREMENT.*

 ‘Do you want to hit the base hit or do you want to hit the home run?’

 This is a fundamental question that you have to ask yourself!

 There is nothing worse than walking into a session and sure enough there is someone there handing out charts.  Maybe the charts are fairly involved and are 4 pages long! 

 You realize suddenly that you’ve walked into something that is a mile over your head!   Terror ensues!  You may be capable of playing everything that the instrument requires but since you can’t read you have no idea what is going on.

 Even if you do read there is that moment when you can get a lump in the throat!   I remember playing with Ray Charles on live television.  He flew up just to do a couple of numbers and we’re rehearsing the material in the basement of the theatre just prior to going on TV.  There is that moment when the charts are handed out that can be somewhat nerve racking.  Again you don’t know what you’re getting.  Ray also had a reputation of being pretty rough with sidemen.

to be continued 🙂

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